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WSD2017|The Double Life of Princess Wencheng
 
1-9 July.Taipei, Taiwan
We are looking forward to meeting you here.

Exhibition

Professional Designers

Taiwan

YI-HSIN CHIU

The Double Life of Princess Wencheng

Category: Lighting Design

Design Statement

The set design makes the performing area as deep as over 40 meters. In addition to a huge stage, the implications from indoor to outdoor, sunset to midnight, as well as other realistic images, altogether mount the challenges to the lighting design. In other words, the lighting design approach focuses on the representation of time, space and symbolic elements.
Princess Wencheng, bringing Buddhism to Tibet, is the main character. With the background in mind, I incorporate the Buddhist symbol “mandala” into my design since it points out the relation between Buddhism and Princess Wencheng when it comes to Buddhist issues in the story. After the death of Songtsän Gampo, king of Tibet, his two princesses move along the rotating image of mandala at both sides, which suggests their recall of him and at the same time symbolizes his transmigration. Likewise, at the end of the play, when Princess Wencheng is dying, Songtsän Gampo appears to lead her to mandala, an everlasting world.

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YI-HSIN CHIU

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Email Address: alphaleomax@hotmail.com

Theatre Company TANG MEI YUN TAIWANESE OPERA COMPANY

The Premiere Date of Production 2015-09-24

The Premiere Space of Production The National Theater

Author CHEN CHIEN-HSING

Director/ Choreographer WANG CHIA-MING

Set Designer WANG SHIH-HSIN

Lighting Designer CHIU YI-HSIN

Costume Designer KUO CHEN-LING

Sound Designer LI CHE-YI

Projection and Multi-Media Designer WANG YI-SHENG