Conor trained at Wimbledon School of Art and completed an MA in scenography in Utrecht.
His opera designs include 'Orphée et Eurydice' and 'Powder Her Face' for the Royal Opera House, 'Elektra' for Gothenburg Opera, 'La clemenza di Tito' for Opera North, 'Lohengrin' for the Royal Swedish Opera, 'The Turn of the Screw' for the Nationale Reisopera, 'The Rape of Lucretia' for Opera Vlaanderen, 'Salome' for Opéra de Montpellier, 'Die Zauberflöte' and 'Lohengrin' for the Korean National Opera and the world premières of 'Wake' by Klaas de Vries, 'Facing Goya' by Michael Nyman, 'Die Versicherung' by Jan Müller-Wieland and 'The Country of the Blind' by Mark-Anthony Turnage.
He collaborates with directors and choreographers including Stephen Langridge, John Fulljames, Hofesh Schechter, Carlos Wagner, Matthew Wild, Marguerite Donlon and Lucy Guerin.
He has designed theatre productions for the Abbey Theatre in Dublin, the Bristol Old Vic, the Liverpool Everyman and Playhouse, the Royal Exchange Theatre and the West Yorkshire Playhouse amongst others.
His dance designs include 'Tomorrow' and 'Labyrinth of Love' for Rambert, 'Carmen' and 'Giselle Reloaded' for Donlon Dance Company and 'The Four Seasons' for Birmingham Royal Ballet.
Email Address: email@example.com
The Royal Opera
The Premiere Date of Production
The Premiere Space of Production
The Royal Opera House, Covent Garden, London
Christoph Willibald Gluck
John Fulljames and Hofesh Shechter
Projection and Multi-Media Designer
Other Creative Collaborator/s
Conductor: John Eliot Gardiner